Hi guys,
I checked the complete guide to UFO and it was Harry Baird who explained about weekly contracts for the series regulars. To paraphrase, he said he never knew until the Friday whether he would be needed for the next week's filming. No retainer was offered to prevent him finding other work, which he thought wasn't acceptable treatment. As a protest, he refused to attend a costume fitting for the next episode, presumably in a week he wasn't being employed, which upset Sylvia, he then left entirely to get more reliable work. I've read that people considered his acting "wooden" and the implication that he was let go was really because of this. IMHO, in every situation involving people, there are as many points of view as there are people involved and they usually change over time as well :-) I realised I'd made an error in my last message. George Sewell appeared in every episode in the first production block. Apart from those eps where he wasn't part of the cast (Identified; Computer Affair: Flightpath), Mike B. appeared in all but AQOP and CCA- OK. It seems that the announcement of the closure of the MGM studios occurred after the start of production there. If Gerry had known before production started at MGM that the studios were to be closing, surely he would have gone to Pinewood from the outset. The fact that he was forced to stop production might be the reason for the insurance claim he had to make. Kind of stands to reason, it must have cost a lot of money and it obviously wasn't his choice. Perhaps Ed and George were originally contracted for the entire series of 26 episodes, but if Gerry wasn't prepared to pay them retainers, he might have had to give them the option of breaking the contract if they found other work in the meantime, accepting they might not be available to return for the Pinewood episodes. George obviously did and couldn't (or wouldn't) come back, but I've never read anything about Ed working elsewhere, nor Mike B. Perhaps the differences in the way their respective characters were being developed made the difference, or maybe their rates of pay, or possibly ITC NY's opinion of the purely *visual* attractiveness of the actors :-) Personally, I really liked Alec Freemans character, I tend to favour the earlier episodes because of this. The interplay between Freeman and Straker said volumes about them and the situations they were in and this was lost completely in the second block. I tend to think of the latter as a second series because it was *so* different in so many respects, it's the only way I can reconcile myself to these enormous differences It's hard to pin down what it is that's got under my skin about UFO; there's some indefinable quality to it. Maybe it appeals on multiple levels making it difficult to give *a* reason(?) I enjoy watching many sci-fi series, but none of the others have ever piqued my curiosity to the same extent. I'll suggest Albert Einstein's reasoning as an excuse, that being - we don't choose what interests us, it just *happens*, which when you think about it, is so true. BTW, I fast-forwarded through the ITV 4 screening of Identified from last night, there didn't appear to be any edits. The picture quality deteriorated badly in the second half though, went very dark, they are obviously showing very poor prints, ho hum. Mind you, it looked miles better than an episode of The Protectors that I caught one night last week :-) Bye for now Sarah (UK) |
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