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Hi all,
I've updated my "UFO in HDTV" page, which now shows examples of: - widescreen framing, when it works fine - the bad transfer for THE CAT WITH TEN LIVES - the lack of sepia-tint on THE LONG SLEEP flashbacks Also, all of the original comparisons have been enlarged a bit: http://ufoseries.com/hdtv Marc |
Marc Martin wrote:
> Hi all, > > I've updated my "UFO in HDTV" page, which now > shows examples of: > > - widescreen framing, when it works fine > - the bad transfer for THE CAT WITH TEN LIVES > - the lack of sepia-tint on THE LONG SLEEP flashbacks > > Also, all of the original comparisons have been > enlarged a bit: > > http://ufoseries.com/hdtv Hey, cool, thanks. It's neat to see the difference. I have HDTV (only 1080i though) but most shows are still SD and my TV is set to stretch to width. So people look wider, which is fine by me since my own middle-age middle doesn't look so bad in comparison. Unfortunately I do eventually have to go out into the big blue room and confront the reality that I now look like I'm 8 months along. That reminds me, gotta buy more vertically striped shirts and pants. Paul |
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>> Also, all of the original comparisons have been
>> enlarged a bit: >> >> http://ufoseries.com/hdtv > > Hey, cool, thanks. It's neat to see the difference. I should note that in watching the HDTV versions, I have noted the following: -- some of the footage looks crystal clear, while other parts are grainy. I'm suspecting that for the "stock footage" shots, there is extra grain here because the duped footage had extra grain to start with. (note that for the DVD's, they electronically replaced the stock footage with the original footage to improve the quality). -- I find myself noticing little details that I never noticed before... the labeling on a piece of electronics, or an "extra" actor in the background that I'd never noticed before. -- The special effects are less convincing... you can now see the models wobbling on their strings, and the models are more obviously... models! Of course, with the increased resolution you can better appreciate the modelwork. -- The 16:9 framing works most of the time. It's only during extreme closeups that I find it distracting. -- I don't think the color correction is as good or as consistent as it was with the DVDs. Probably most people wouldn't notice this unless you were presented with side-by-side comparisons. Or they'd be too impressed by the increased resolution to notice that some other aspect of the picture isn't quite as good. Marc |
Hi Marc,
Thanks for the comparison frame captures and opening sequence :-) Imho the difference in definition is obvious, particularly with text such as the teleprinter, although overall the video clip seems rather dark compared to the DVD. The pseudo surround is - er - interesting; I burst out laughing when at the end, as the interceptors fire missiles in quick succession, the sound alternates from left to right..!! ;-D The BBC team responsible for restoring the DVDs completely re-built the opening sequence shot-by-shot using as far as possible the original footage taken from the episodes, because the original title sequence used several generation copies, therefore suffered from loss of quality (info source "Complete UFO"). I felt the shots in the HD opening sequence taken from episodes didn't look as sharp as those that obviously don't appear in an episode, such as the teleprinter and so on, so when I re-read this, I wondered if this might be why? :-/ > -- The 16:9 framing works most of the time. It's > only during extreme closeups that I find it > distracting. I think I have to agree with you and others on the 16:9 - shame that they've done this to it :-( > -- I don't think the color correction is as good or > as consistent as it was with the DVDs. Probably > most people wouldn't notice this unless you > were presented with side-by-side comparisons. > Or they'd be too impressed by the increased > resolution to notice that some other aspect > of the picture isn't quite as good. |
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> The BBC team responsible for restoring the DVDs completely re-built
> the opening sequence shot-by-shot using as far as possible the > original footage taken from the episodes, because the original title > sequence used several generation copies, therefore suffered from loss > of quality (info source "Complete UFO"). I felt the shots in the > HD opening sequence taken from episodes didn't look as sharp as those > that obviously don't appear in an episode, such as the > teleprinter and so on, so when I re-read this, I wondered if this > might be why? :-/ Could be. Rebuilding the opening sequence goes above & beyond what would normally be done during a film transfer, so it probably wasn't done for the HDTV version. Likewise, on the DVD's the stock footage shots were electronically replaced with the original footage from the earlier episodes to improve quality. I doubt that this was done for the HDTV versions, as the stock footage shots are more grainy. > Re. "TLS" and the lack of sepia, do you think they deliberately > changed this to B&W, because sepia is such an "old-fashioned" effect, I wonder if the colourist even knew that it was *supposed* to be sepia? It could simply be an error... working with the original negatives means that the colourist has to recreate some of the effects that are done when making prints (like turning down the brightness in the day-for-night shots) > One again, many thanks Marc for all your efforts :-) Would love to > see a clip from an episode, don't know if you were planning on doing > one? :-) I wasn't, but since you asked, here's one: :-) http://ufoseries.com/hdtv/sheep.wmv In this clip, it's easier to spot Ed's eyeliner and crooked teeth, plus the various members of the film crew are more noticeable, plus you can read the "Rum" label on Ed's mini-bar... also you can see that the 16:9 framing works just fine in some scenes, while during the closeups it would be better to see the full frame. Marc |
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